My artistic practice emerges from a shift in my relationship with image, time, and perception. After years working in commercial photography—where control and perfection were central—I felt the need to move the image away from a productive framework and into the realm of experience.

I work with analog photography as a practice of awareness and limitation. The finite roll of film, the wait for development, and the possibility of error introduce a temporal dimension that transforms the act of photographing into an exercise in acceptance. Imperfection ceases to be a flaw and becomes an essential part of the process, as well as a metaphor for the human condition: uncertain and inherently limited.

My gaze lingers on the everyday—on light and subtle shifts in perception. I do not seek extraordinary scenes, but rather seemingly simple moments that, when observed with attention, reveal another depth. Harmony serves as a starting point; a slight tension introduces the pause necessary to look with greater awareness.

In a context that favors acceleration and constant production, I choose to work from sensitivity. My work does not attempt to explain the world or beautify it, but to accept it as it is. Each image is a decision about how to relate to reality, and an invitation to pause without the need to reach a conclusion